Delaney Green
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Love ya, Juliet, but you're wrong about names

12/2/2015

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Picture'Tis but thy name that is my enemy...O, be some other name! What's in a name? that which we call a rose by any other name would smell as sweet; so Romeo would, were he not Romeo call'd, retain that dear perfection which he owes without that title. ~ Romeo and Juliet, II, 2 (Olivia Hussey, Romeo and Juliet, Franco Zeffirelli, Courtesy fanpop.com)
How do people decide what to name their children? How do writers decide what to name their characters? It depends on where you (or your characters) live. It depends on when.

For example, in China, naming schemes often employ a generation name. That means every child in a given family’s generation shares an identical character when the name is written in Chinese characters. But English is taught in China's secondary schools, so many Chinese teenagers acquire English names, which they may keep and use. This sometimes leads to teens choosing English names like Chlorophyll, Candy, Devil or Whale. Periodic fad names like Aoyun ("Olympics") also appear.

In England, babies traditionally were named after relatives of both parents in a fascinating pattern that was popular in England from 1700 to 1875. This naming pattern definitely influenced my choices for character names in the JEM books. Here's how it worked:

    The first son was named after the father's father
    The second son was named after the mother's father
    The third son was named after the father
    The fourth son was named after the father's eldest brother
    The first daughter after the mother's mother
    The second daughter after the father's mother
    The third daughter after the mother
    The fourth daughter after the mother's eldest sister

Going by these rules, in the JEM books, Margery’s eldest sister, Nessa, was named for Margery’s father’s mother. But if you’ve read the JEM books, you know that Margery’s grandmother is named Kestrel. What’s up with that? Then, as now, people call themselves what they wish to be called; in this case, Granny Kestrel chose to honor a bird with which she shares a magical bond.

But Granny couldn't have done that in Malaysia, where the names of all animals, fruits and vegetables are banned.  

Other countries have naming rules too. New Zealand bans names that might offend a reasonable person, including King, Major, Knight, Prince, and Princess, although other names have been allowed in the country, including Number 16 Bus Shelter and Violence. In New Zealand’s defense, a 9-year-old girl named Talula Does The Hula From Hawaii was allowed to change her name, and parents who tried to name their children 4Real, Fish and Chips (twins), Yeah Detroit, Keenan Got Lucy and Sex Fruit were turned down.

In Saudi Arabia, forget about naming your child anything that offends religious sensibilities, is affiliated with royalty, or is of non-Arabic or non-Islamic origin. Morocco is a tad more lenient, allowing you to pick a name not on the approved list if you pay a fee, although Moroccan dads living outside the country have to be careful: babies given a name not on the approved list may have trouble entering the country to visit their relatives.

Germany and Japan have naming rules, too. In Germany, you can’t use a last name as a first name. German law dictates that first names must be gender-specific, may not be a trademark, and cannot endanger the child. Italy won't let a parent bestow an embarrassing name.

Even in the freewheeling United States, some rules apply. Many states ban obscene names or limit the number of characters in a name because of the limitations of record-keeping software. Some states ban the use of numerals or pictograms. "Black" sounding names have been shown to minimize the likelihood that a job candidate will be interviewed, but from the beginning, black Americans have had unique names, according to Salon's David Zax, who writes, "the folklorist Newbell Niles Puckett turned up thousands of such names culling records from 1619 to the mid-1940s, names like Electa, Valantine and Zebedee." The practice of choosing a unique name for a black child skyrocketed after the 1960s, Zax says, when Black Pride and Islam began to influence parents' choices—but creating unique names doesn't happen in Iceland.

Iceland has strict rules; for a story set there, I spent half my research time hunting appropriate names for the characters. Why? Because Iceland doesn’t use family surnames. A spouse cannot take his or her spouse’s name upon marriage. If the couple produces a child, they must choose a given name from a limited list.

It works like this: The last name of a male Icelander usually ends in the suffix -son (“son”) and that of a female Icelander in -dóttir (“daughter”). So a boy and girl in the same nuclear family won’t share the same last name. When it comes to first names, Icelanders often don’t name a child for its first three months so the parents can get to know the child (before it is named, a child is called stúlka, “girl,” or strákur, “boy”). When it’s time to pick a name, the parents have to stick to a list of legal first and middle names, none of which contain the letter “C,” which isn’t in the Icelandic alphabet—sorry, Charlie. Currently there are about 1,712 male names and 1,853 female given names on the list. If you choose a name that isn’t on the list, your child will have problems, like being denied a passport.

This summer, online magazine Parent Society listed some of the more unusual baby names out there, but for names like “Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb11116,” go here. The article doesn’t explain why parents would do that to their own flesh and blood.

For writers, the naming rules of the countries in which our stories are set should figure in when we name our characters, but we also want to embed meaning into their names, right? So, do you name your female romantic interest the name you wish you had been given? Do you name your action hero something short and dashing? How about last names?  How do you decide?

One author who is good at crafting names is Nora Roberts. In THE SEARCH, the hero is Simon Doyle [Simon=sigh man, which is what he does because he keeps getting yanked into doing things he doesn’t want to do]. The heroine is Fiona “Fee” Bristow [Bristow=bristle, which is what she’s about, at least initially]. The villain’s name is the most perfect of all, but if you don’t want to know it, don’t click here because I don't want to spoil it for you. It could be I’m reading into Roberts’s choices, but I don’t think so. Roberts is an intelligent, successful writer; she knows that names are important. So do most writers. (Tangent: You can answer ten short questions to find out which Nora Roberts character you “are” here. Me? Margaret Mary Concannon. Thanks for asking. )

A name can suggest personality. A character name you initially dislike can grow on you if the character does; conversely, if you initially favor a name (or are at least neutral), when it is bestowed on the bad guy, you may dislike it forever after.  A character named after your eighth grade nemesis may even keep you from fully engaging in the story.

My JEM character names (at least, the ones not culled from history) were chosen deliberately based on a number of factors including literal meaning, geographical accuracy, mouth-feel, pronounce-ability, and so on.  When I was in the process of crafting a surname for the bad guy, "Patch," I wanted something that would suggest his Darkness, but I didn’t want to minimize his power or his danger. (I chose “Duncan,” which means brown warrior—a name that also suits his geographic origins).

Using the British naming rules above, it took an entire morning to name Margery’s siblings and near-family relations, including the name of Granny Kestrel’s husband, Dylan, who crossed the moor from Wales to find her.

A good source for name discussion is an oldie titled TREASURE OF NAME LORE by Elsdon C. Smith, which includes sections on American Indian names, anagrams, names in other countries, extra-long names, and names popular in different religions.  Smith writes, “In writing fiction, since all the author has to put his ideas across to the reader are the words he uses, he cannot waste any by selecting names for his characters that do not have connotations that help to describe the character. Even the sound may be used to convey an impression of the one named . . . Dickens was an expert in selecting names that contained a subtle half-suggestion of other words in our language which are associated with the traits embodied in the characters he delineated.”

There you go: let the great Charles Dickens be your guide. Use the magical power of names to boost your story’s impact.



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Another day, another shooting

10/4/2015

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PictureI hope this horrifying picture makes you sick too.
America's gun control laws are the loosest in the developed world, and its rate of gun-related homicide is the highest. A 2013 study that correlated gun ownership rates to homicide rates here between 1981 and 2010 found that "each 1 percentage point increase in proportion of household gun ownership" translated to a 0.9 percent increase in homicides. According to the study, gun ownership mattered even when race and poverty were accounted for.

We Americans love our guns but our guns don't love us back, even though gun shops outnumber grocery stores in the United States by nearly 15,000. 

You want to talk about the Second Amendment to the Constitution? The Second Amendment says, "A well regulated militia being necessary to the security of a free State, the right of the People to keep and bear arms shall not be infringed." That Amendment was included because the brand new United States of America had just whupped the Big Dog in Europe, England, but there was no guarantee she would stay whupped. Farmers and merchants and coppersmiths had to be ready to defend the new country.

But some of the writers of the Constitution who saw a potential problem with this Amendment proposed on September 9, 1789, that the Amendment should include the words "for the common defense" next to the words "bear arms." That proposal was defeated. According to an essay by John Paul Stevens, associate justice of the Supreme Court from 1975 to 2010, published in the the Washington Post in April 2014, five words similar to the defeated proposal ("when serving in the militia") would make the Second Amendment adhere more closely to what we think the Founders intended when they insisted on the right to bear arms.

Five words in place of 30 murders a day? I could get behind that.

Some gun proponents say that if more good guys carried guns, they could stop the bad guys. But that isn't true, according to Dr. Stephen Hargarten, a leading expert on emergency medicine and gun violence at the Medical College of Wisconsin. In an article in Mother Jones, Hargarten says that armed civilians attempting to intervene are actually more likely to increase the bloodshed.

The Second Amendment isn't going away. Guns aren't going away. So how about we consider going in the same direction as other civilized nations that have decided a person needs more than a trigger finger to own a gun? How about stricter laws concerning who gets to own a gun? Even a majority of National Rifle Association (NRA) members support that.

According to an article in the New England Journal of Medicine, 84% of gun-owners and 74% of NRA members support universal background checks for all gun sales; 76% of gun-owners and 62% of NRA members support prohibiting gun ownership for 10 years after a person has been convicted of violating a domestic-violence restraining order; and 71% of gun-owners and 70% of NRA members support a mandatory minimum sentence of two years in prison for a person convicted of selling a gun to someone who cannot legally have a gun.

Laws that are more restrictive would be particularly helpful since nearly 80 percent of the killers in the Mother Jones investigation obtained their weapons legally. What might happen if we tightened our rules?

Guns aren't illegal in Australia, but you can’t own a semi-automatic rifle or a semi-automatic or pump-action shotgun. Gun ownership has been tightly restricted for the last 20 years. Since the laws were changed in 1996, Australia hasn’t had a mass shooting and firearms-related deaths have plummeted. In that time, the United states has had 52 mass shootings with 408 dead.

In Japan, citizens are permitted to possess firearms for hunting and sport shooting, but only after submitting to a lengthy licensing procedure. To get a gun in Japan, you have to attend an all-day once-a-month class and pass a written test—and you have to repeat the class and pass the test every three years. You must take and pass a shooting range class. You must take and pass a mental test and a drug test, which you'll file with the police. You must pass a background check for any criminal record or association with criminal or extremist groups. Once you get your gun in Japan, you must provide police with documentation on the specific location of the gun in your home, as well as the ammo, both of which must be locked and stored separately. Once a year, the police will inspect your gun. Do strict measures like this make a difference in gun violence? In 2006, Japan experienced two firearm-related homicides; in 2008 there were 11—compared to 12,000 in the United States the same year.
Guns aren't illegal in England or Scotland, but after mass shootings in the late '80s and '90s, the U.K. in 1997 banned semi-automatic and pump-action firearms, introduced mandatory registration for shotgun owners, and banned private handgun ownership in mainland Britain. The government launched a $200 million buyback program, which led to the collection of 162,000 firearms. By 2010–11, gun crime had decreased by 53 percent.

A Swede who wants to own a gun needs a license. To get one, he must be 18. He must be a member of an approved shooting club for at least six months or have passed a hunting examination. Gun deaths in Sweden are 1.47 per 100,000 per year compared with 10.64 per 100,000 here.

Switzerland has one of the highest rates of gun ownership in the world. Switzerland ranks fourth after the U.S, Yemen, and Serbia in the number of guns per capita. Every Swiss man of fighting age is issued a gun so he can defend his country. But to keep his gun after military service, a Swiss citizen needs a weapon acquisition permit, issued by the police. He can’t get the permit if he has a criminal record, an addiction, or a psychiatric problem. Heavy machine guns and automatic weapons are banned, as are silencers. If a Swiss man wants to carry a gun in public, he needs a permit, which he’s likely to get only if he works in security—and only if he’s passed theoretical and practical exams. Yet the violent-crime rate is low in Switzerland: government figures show about 0.5 gun homicides per 100,000 inhabitants in 2010. Why? For one thing, the gun culture there emphasizes responsibility and safety. Kids as young as 12 belong to gun groups. In addition, Switzerland’s gun ownership is deeply rooted in the country’s tiny size: the Swiss see it as their patriotic duty to be able to fight their way to their regiment’s assembly point because an enemy could invade the country quickly. The Swiss see gun ownership as a duty rather than as an inalienable right.

You get the picture. Other countries handle gun laws differently. The United States isn’t as violent as some countries in central America where drug cartels operate or Africa where countries are ravaged by civil wars—but isn't it shameful to even be making that comparison?

Pry your gun from your cold, dead hands? Nobody wants that. We just want lunatics to stop killing college students and children. Mmmkay? Can we agree on that?

For an overview of gun ownership laws, go here. For a chart of gun-related deaths country by country, go here. For articles on both sides of the gun control issue, go here.



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Everything you're sure is right can be wrong in another place

9/3/2015

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Picture
I don’t read bestsellers when they’re hot and all the cool kids are talking about them. I figure, a book isn’t a banana. It won’t spoil, so what difference does it make if I pick it up when the ink is still wet or pick it up later at Goodwill for a couple of bucks?

So the book I just finished is Barbara Kingsolver’s The Poisonwood Bible (1998), a finalist for the Pulitzer Prize in 1999. It’s about a Baptist missionary family, the Prices, who in 1959 move from Georgia to the Congo to win souls to Christ. The chief agent of this move is Nathan Price, who drags along wife Orleanna, teen-aged Rachel, 'tween twins Leah and Adah, and five-year old baby of the family, Ruth May. The book is divided into seven sections, and the five females in the family, all of whom respond to Africa and to their enforced missionary status in different ways, tell the story alternately. Nathan Price never gets to narrate; he just gets to be narrow-minded, stubborn, abusive, and crazy as a bedbug. He’s about as far from true Christian charity and kindness as a person can get. And yet, as patriarch, he’s the boss, and the hapless Price females follow him like ducklings.

Full disclosure: I have mixed feelings about missionaries. I grew up in a church with missions at its heart and a banner on the wall that read, “Go Ye Into All the World and Preach the Gospel to Every Creature.” One Sunday a month, all of us Sunday School kids turned in little wooden barrel-shaped banks stuffed with loose change for the Boys and Girls Missionary Challenge. We were doing our bit to evangelize those poor brown, yellow, and red children all over the world, about whom we knew very little other than that they needed our pennies, nickels, dimes and dollars. We wanted them to have enough food to eat and nice clothes to wear! We wanted them to sing, “Jesus loves me / This I know” and mean it! It is not a bad thing to foster generosity in a child’s heart. It is not a bad thing to teach a child to care about the welfare of other human beings.

But I’m not a child any more. I’ve studied and traveled and learned a few more Bible verses, one of which is “Do unto others as you would have others do unto you.” I certainly would not want foreigners who know nothing about me or my country or culture to plunk themselves into the heart of my town and start telling me I was lost and stupid and had earned eternal punishment just for worshipping my own god instead of the big pumpkin they set up in the village square. I’d avoid the strangers and join up with anybody who wanted to give them the boot.

Cultural arrogance as demonstrated in this hypothetical is at the heart of The Poisonwood Bible. Kingsolver’s book reminds readers that barging into a place that has evolved its own way of living in a specific environment and attempting to force change is disrespectful at best and dangerous at worst, to both parties. Somebody, perhaps everybody, will suffer. Of course, in Kingsolver’s book, they do. The Prices, the only whites for miles around, do learn from the blacks, and vice-versa, but the lessons are wrought from pain far oftener than they are wrought from acceptance of a better way.

Woven into the fictional domestic events of the Price family in The Poisonwood Bible are the real-life events of Congo’s struggle for independence from Belgium. Congo had been appropriated first by Belgium’s Leopold the Second as a private enterprise his country did not support. The “Congo Free State,” established in 1885, used forced labor, mutilation, and murder (some reports say as many as ten million Congolese were murdered) to increase rubber production. So horrible were conditions that international pressure forced Belgium to take over Leopold’s private colony in 1908. The abuses were curbed, but segregation continued along with a paternalistic attitude (“dominate to serve”) on the part of whites that they knew best what the Congolese needed.

Of course, the Prices don’t know this history, nor does it matter to single-minded Nathan. The Price females, though, begin to realize they aren’t in Kansas anymore just as Congo’s struggle results in independence from Belgium (June 1960). Congo elects Patrice Lumumba as its first president, but the departing Belgians foment rebellion in the southern region of Katanga, source of Congo’s mineral wealth, in order to cling to its hold on the natural resources of the Congo (diamonds, rubber, copper).  Lumumba asks the United Nations for help. It refuses. He turns to the Soviet Union, which sends aid. Lumumba is labeled a Marxist, and the United States masterminds and funds the assassination of Lumumba. In his place, the U.S. in 1965 sets up Joseph Mobutu as leader.

Mobutu has been described as the "archetypal African dictator." Mobutu embezzled between four and fifteen billion U.S. dollars during his 30-year reign. He owned a fleet of Mercedes-Benz vehicles that he used to travel between his numerous palaces, while the nation's roads rotted and the Congolese starved. Public service workers went months without being paid. On trips across Zaire (Congo’s new name), he appropriated the droit de cuissage (right to deflower) local virgins; this practice was considered an honor for the virgin's family. The United States propped up Mobutu for 30 years.

This history comes out in bits and pieces because the novel’s focus is on the tragically misguided and misinformed Price family. Nathan Price refuses to accept that western ways do not—and should not be expected to—work in Africa. For example, he plants a garden just like the one he had at home to show the Congolese that they can grow their own food, as though they are too stupid to have figured that out for themselves. Nathan doesn’t even suspect there might be a very good reason the Congolese don’t have gardens—in fact several reasons, such as flooding, army ants, drought, and so on. Nathan’s garden flourishes at first but then withers away without producing fruit because African pollinators cannot fit into the blossoms of western plants, just as Nathan’s mission makes a big show but produces no saved souls because white ways cannot be shoved into native hearts. The failure of Nathan’s garden parallels the failure of the Prices to evangelize the Africans, who, despite Nathan’s offensiveness, do all they can in secret to keep the Price family alive in a beautiful but dangerous environment.

The Poisonwood Bible is a story of the small and the vast ways humans misunderstand one another at a cost of misery and misshapen lives. The book doesn’t present Africa’s people or politics as inferior to Euro-American people and politics. Kingsolver, like the whites murdered in Congo’s violent struggles and the blacks murdered daily in American cities, knows that skin color matters. To many. But Kingsolver tries, and succeeds, in showing that skin color doesn’t matter to nature. Nature succors and annihilates evenhandedly without regard to race—or even to species—and nature is Africa’s beating heart.

My take-away, apart from seeing yet another dysfunctional family inflict scars on one another, was this: in Africa, western “civilization” blundered in to perfectly balanced systems that had become that way over thousands of years and ruined them. Missionarying has been going on for hundreds of years and will go on forever; it occurs any time one human being disrespects another human’s choices. As Kingsolver says, “everything you’re sure is right can be wrong in another place.”

Good book. Screws on your head a bit differently. Educational and surprising and worth your time. Can be bought for the price of a cup of coffee at a used book store near you.


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Historical Novel Society Conference, Denver

6/29/2015

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Delaney Green in character at the Historical Novel Society (HNS) convention in Denver. Video taken my Mark Beaulieu - co-speaker on the panel the Past Was Where?

Posted by Mark Richard Beaulieu on Sunday, June 28, 2015
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If at first you don't succeed, punt

5/19/2015

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PictureThe battle of the raspberries, 2014. The lilies and foxgloves and lupine won. In 2015, who knows?
NOTE: The local garden club will tour my yard June 9. This piece was written for them as a preview, but it also conveys that you don’t learn how to do something just by thinking about it: you have to get your hands dirty.

My parents grew vegetables; I had no interest in digging in the dirt until I left home. I planted my first vegetable garden in the yard of a rental house in 1977, but I moved out before I could harvest a thing. I decided not to plant again until I owned a piece of land. That took another 20 years, although I continued to stick things in the ground wherever I landed. In
fall 1999, I bought a house and began to make big plans for my property—but you know what they say about the best-laid plans. Nowadays, I’d call my whole yard an “experiment.” 

Picture
Baby robins in a nest their mum built in a climbing rose on the southeast corner of my house. Cardinals had nested in the same spot the year before, but their nest was destroyed by a violent thunderstorm. I installed a chicken wire contraption to give the cardinals' next nest a sturdier base, but Mother Robin beat them  to it. The cardinals built that year's (also flimsy) nest in the Mugo pine in the back yard. The fledgling cardinals bailed just as home started to fall apart, too. The bird world needs building inspectors.

PictureLonicera tatarica 'Arnold's Red'
 When I say my yard is an "experiment," what do I mean? Despite my earlier attempts to grow vegetables like my parents did--they made it seem so easy--I knew very little. A friend suggested I plant things called “perennials” because they come up every year. I bought some books that talked about “compost” and “amending the soil” and “sunlight requirements.” Who knew?

Not me. But I learned. I read about and experimented with conditions that would make for happy plants. I bought plants on sale from catalogs; I made pity purchases at greenhouses in late July. I was introduced to verticillium wilt by a local greenhouse I haven’t visited since. I discovered Klinger Farm Market, the largest greenhouse in the area 20 miles north of here, and began supporting the Klinger children’s orthodontia. I became bold: I moved plants around. I began to mix edibles with ornamentals. I planted for the birds. I planted for the bees. If I saw pretty flowers along a sidewalk in the neighborhood, I wanted some, too. If I saw a pretty tree in one of my books, I bought one—like the Prairiefire crab, the Sunburst Locust, the Red-twig Dogwood in the front yard. When friends offered me plants, I asked what the plants liked and tried to provide it. 

Our first spring, 2000, I planted my oldest bed in the southwest corner of the property. It’s in a state of flux even now, fifteen years later. There, you’ll see red peonies rescued from under my cousin’s black walnut tree, Shasta daisies, penstemon, ornamental onion, irises rescued from a pile of compost when we dug a memorial garden at the high school down the block, tansy, various sedums, hyssop, orange butterfly weed, Goldmound spirea, Happy Days daylily, and delphiniums (the finicky things). I hope you don’t see any sprouts of a pretty plant I bought at Klinger’s ten years ago and stuck in there. The plant was so happy it began to spread. Everywhere. It was Japanese Knotweed, which is notoriously invasive. Once I learned what it was, I became its nemesis. I dug it and poisoned it without mercy, but I preserved a sprig in a pot and told it if it lived, I’d save it. It’s still alive in that pot, waiting for me to turn my back for just one minute. . . .

Our first summer here, I laid the brick patio under the Basswood tree and included planting beds. These beds featured Asian lilies until the Nashiki willow, Korean Spice Viburnum, and weeping lilac grew so big and cast so much shade the lilies gave up, so I transitioned the space under them to ferns and coleus and violets and spurge; you'll also see European ginger, a Sum and Substance hosta, and a Big Blue hosta. Porcelain berry vines up the trellises. A Henry Kelsey climbing rose grows in the one spot under the Basswood that gets sun. Nearest the garage are two sunny spots I reserve for for herbs and vegetables; this year these spots are planted with carrots, broccoli, green beans, chocolate mint, tarragon, rosemary. A Bowl of Beauty peony and Mugo pine stand guard to the east and the catio (an eight-foot-tall outdoor playpen for my cats) stands guard to the west.

The next part of the yard that got dug up is the southeast corner. It’s planted with barberry, sedums, and an Annabelle hydrangea, all tough plants that can survive the shade and the roots of the boulevard maple to the south, which is the bane of my existence. Its prolific seed production gifts me with myriad baby maples every year that must be pulled by hand. Same with the silver maples in the back yard.

The sidewalk leading to the house came next and expanded to the west a couple of years later when I removed an overgrown birch and replaced it with a Prairiefire crab and a Sunburst locust. The ferns went in between them in 2014. Those ferns have been moved three or four times, bless their plucky little hearts. Along the curvy front sidewalk grow a rhododendron, an azalea, a Diablo ninebark, white peonies, artemisia, sundrops, Egyptian onion, variegated iris, and milkweed (yup--it's for the Monarch butterflies.)

Across from this curvy bed is a heart-shaped bed that changes from year to year. It gets sun, so that’s where I often plant vegetables; this year, there’s a tomato and cucumbers. It’s also planted with ornamental Japanese corn, Malabar spinach, and scarlet runner beans, which I planted after hearing the founder of Seed Savers Exchange, Diane Ott Whealy, talk at our library—Seed Savers and I had corresponded at length for many years via checks from me and seeds from them. They do good work.

I do good work too, but sometimes a living plant gets sent to that Big Garden in the Sky. A damaged maple was removed to the east of the house around 2005; the pond sits atop the tree’s ground-down base. (Check out the pond's sassy goldfish—he thinks he's all that when he moves to the big pond for the summer.) This bed is anchored on the south side by raspberries that want to take over the world. It’s anchored on the north end by a cherry tree that also has empire-building tendencies. Three kinds of currants grow to the east of the cherry tree along with a Little Free Library and, this year, tomatoes and golden zucchini. Beside the pond are two trees, a Harry Lauder walking stick and a pagoda dogwood. I stuck them in together saying, “May the best man win.” They decided war is not the answer; they both lived. You’ll also see tradescantia, a Hansa rose, Morden Centennial roses, European ginger, and baptisia, all volunteers or refugees. Last year I beat back the raspberries so I could plant flowers beside the pond. One plant of lemon balm has become an army that’s challenging the raspberries and cherry tree for
world domination. This bed was expanded in 2009 when I dug up the row of red honeysuckles I’d planted along the sidewalk and moved them north to the backyard fence.

West of the cherry tree along the house stands a birch frame that was another experiment: in France, many stone building exteriors showcase living walls, layers of felt with pockets that contain plants that are watered and fertilized from above. I tried to build such a wall, freestanding, but winter was not kind to it. So that experiment requires tweaking. South of the birch frame are tulips, Bonfire spurge, Japanese Hakone grass, and a Rosa Mundi plant that struggled its first year but seems to be perking up this year. That giant rose at the southeast corner of the house is a John Cabot climber. Its climbing rival on the east side of the garage is a Jackmanii clematis that sat in a washbasin all summer when the garage was built in 2007.  

I can’t do a lot in the back yard because I have a dog and a kid who owns a trampoline, but two years ago, I put in a little woodland garden between the silver maples. I chose plants I hope can handle shade and competition from the maple tree roots: dogtooth violets, foam flower, maple-leaved heuchera, columbine, hostas, and clematis Virginiana.

Like every gardener, I battle deer, rabbits, grass, dandelions, and baby trees.
Terry Hershey, who lives on Vashon Island in Puget Sound, says (
courtesy Dave's Garden), "People who love this world, people who pay attention, are gardeners. People who are invested, people who are aware. They are gardeners, regardless of whether or not they have ever picked up a trowel. Because gardening is not just about digging. Or planting, for that matter. Gardening is about cherishing." 

Cherishing and experimenting. That's pretty much life, am I right?

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Funeral for a farmer

4/12/2015

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PictureMarshall E. Hanson, 6/18/1927 to 4/5/2015.
        Someday it will be me lying in a coffin, quiet as dust, still as paint on the walls, while above
        and around me others still breathe, still have facial muscles that broadcast thoughts, still
        have warm blood in their veins
.



We buried my Uncle Marshall on Thursday. He’d been a farmer. For a while, he was a milk hauler too, back when dairymen poured their milk into cans and haulers drove it to the central dairy on dark, cold roads the snowplows hadn’t cleared yet.

Marshall was a collector, too, of a lot of things—his attic was stuffed to the gills with picture frames and schoolbooks left over from one-room schoolhouse days and dried-out cans of paint and moth-eaten wool suits and old letters hand-written with fountain pens. His favorite collectible was old cars, which he’d fix up and take out for a drive when the weather was fine. At the funeral, somebody said, “I’ll never forget that old blue car—when you saw that parked on Main Street, you knew Marshall was in town.”

The visitation and funeral and interment were held at an old Lutheran church that sits on a windy hill overlooking fields of corn stubble leftover from last year’s harvest. Nobody’s been out plowing yet; it’s still too cold to plant. It rained cold the morning of the funeral. The trees weren’t leafed out yet, and the grass wanted to turn green but was still mostly brown, and the steady rain could only soak down so far because the frost from the long winter still hunkers 18 inches deep and isn’t about to melt when it’s only April.

Inside the church vestibule, feet stomped off raindrops. Coats dripped on the floor. The church smelled of old books, old dust, old people. Up from the basement drifted the smells of the meal the church ladies in the basement were rustling up for after the funeral, which likely would include hot dish and dessert and coffee.  

To the left of the front door, in the vestibule, Marshall’s coffin was tucked under some windows so folks could come in, shed their coats, have a look, and go on in to visit. Closer to the nave, two easels held two arrangements of photographs. One arrangement featured Marshall’s nephews and their families; the other featured his life on the farm with his wife of 64 years, my father’s sister, Shirley. They had no children.

As at any funeral or wedding, I didn’t know everybody. I’d never had occasion to meet Marshall’s farmer neighbors—and even if I had, farmers tend to be a circumspect lot on account of there being an awful lot of natural fools in the world with whom they prefer not to associate. (Not saying I’m a fool—just saying they and I wouldn’t have met for coffee on a regular basis.) Uncle Marshall’s farmer neighbors at the funeral were gray and neatly barbered and slow-moving, and most of them had quit farming about the same time Marshall did. Full-tilt farming is a young man’s game. The other people who came to pay their last respects were relatives I generally see only at weddings and funerals. 

Inside the nave, the hard wooden pews sat dark and shiny with age and use. The chancel in front featured an eight-foot-tall painting of Jesus surrounded by an ornately carved wooden frame the same dark brown as the pews. On the floor of the nave stood a baptismal font, also made of old, dark wood; the pulpit on the right was made of the same stuff. Candles wearing little brass caps sat on stands. The pastor wore white robes and a day’s worth of stubble on his chin.

While the pastor puttered around in front before the service started, I talked to an uncle who raises sheep. They’ve already started lambing. During lambing season, my uncle keeps watch over the pregnant sheep during the day. He gets up several times a night to check on them in case they start giving birth and can’t deliver. This year, so far, he’s delivered two sets of triplets. This uncle bought land from Marshall.

Another uncle became a widower just a few months back when his wife died of Parkinson’s disease. Over more than 20 years, the Parkinson’s wore her away to a point where her husband fed her three times a day as though she were an infant. Now that she’s gone, he travels to see their children and grandchildren and great-grandchildren. The rest of the time, he lives alone on a big place in the country and cuts wood for winter. The aunt with Parkinson’s was Marshall’s sister-in-law.

Marshall’s funeral service was cobbled together out of the standard Lutheran funeral service, tidbits the family passed along to the pastor, and Easter references still relevant and handy since Easter was just a couple of weeks ago. The pastor told stories not entirely trued up with fact, which Marshall might have pooh-poohed. But we just smiled and nodded and let it go. You know how it is at a funeral.

After the service, we collected outside at a grave dug about 40 feet from the front door of the church. The hard rain had stopped, but the sky still spat little droplets that dewed up beehive hairdos and pattered on umbrellas and soaked Sunday windbreakers. Mud squished up around everybody’s shoes. Marshall had served in Germany at the end of World War Two, so the VFW provided a bugler and a rifle party to give him a three-volley salute. The same three-volley salute and mournful “Taps" sounded at my own father’s funeral sixteen years ago:

                Day is done, gone the sun

                From the lakes, from the hills, from the sky

                All is well, safely rest

                God is nigh.


The sergeant knelt at my aunt’s feet and presented her with a folded flag. A lump swelled in my throat.

Not because Marshall was gone. The man had been in terrible health. He’d suffered. And, truth be told, he and I were not close. Probably like you, I scrabble after every spare minute I can get because there’s never enough time, is there, to work, to run a household, to rear a family, to visit people removed from the frantic Here and Now. I’m not a Lutheran, like he was. I never farmed, like he did. No, Uncle Marshall and I didn’t have the How of our lives in common. But we did have the Who.

See, the people Marshall and I come from are farmers. They came to America from the old country for a better life. They watched a lifetime of sunrises in a land their fathers never saw. They prayed that rain would bless fields harrowed and planted by the sweat of their brows. They came here, Marshall’s ancestors and mine, as young people with hope in their hearts too big for the old country and in need of a land big enough to hold all that hope. They staked their claims, and they dug in, and they stitched their dreams to the dreams of others. They built communities of corn fields and red barns and little villages and country churches and roads to the city. 


They mourned lost babies and thanked God for healthy ones. They survived one Depression because you can always eat potatoes. They sent their sons to fight a world war in the trenches. They survived another Depression by making clothes out of flour sacks; Marshall’s wife wore those dresses. The ones who survived that first world war sent their own sons to fight a second one. Those who did not fall in it came home to live out the rest of their lives until, at last, like Marshall, they passed on to whatever comes After This.


After the graveside service, we trooped inside to the church basement where we lined up for hot dish and buttered bread and dessert and dill pickles and coffee. (Told you.) While we ate and visited, somebody stayed outside and took down the tent over Marshall’s grave. A big steam shovel filled in the hole in the ground. By the time everybody was on his or her second cup of coffee, the steam shovel was tamping down the mud.  Ashes to ashes.

Someday it will be me lying in a coffin, quiet as dust, still as paint on the walls, while above and around me others still breathe, still have facial muscles that broadcast thoughts, still have warm blood in their veins. Someday I will have to stay upstairs while the ones who still have eyes to see and ears to hear and legs to carry them trundle to the basement to fork down tuna casserole and chocolate cake. They will have to shush the little kids, who’ve sat all the way through a service, but by the end of it have untucked their shirttails and are now running around like puppies. Eighty years ago, somebody brought little Marshall to a funeral where the exact same thing happened.

I don’t entirely mind funerals, even though they force us to let go of people we wanted to keep and force our feelings to the surface where everybody can see them. Because a funeral is a signpost.

A funeral tells me where I am on my own journey. A funeral reminds me that someday I’m going to be the painted mannequin left upstairs who doesn’t get any cake, so I’d best make my life—make each day—count, while I still can.

Rest in peace, Uncle Marshall.


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Nobody likes me, everybody hates me: the social media blues

2/5/2015

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“I have quit FB numerous times, and am getting ready to quit for good, not because of the evils of anyone or anything else, but simply because I do not like who I become on FB. An insecure child who posts way too many ridiculously unimportant, self-absorbed things, often drunk. I am saving myself from myself.”

The comment above was appended to a Feb. 4, 2015, article on lifehacker titled “Don't Quit the Social Networks You Hate. Bend Them to Your Will.” The article suggests social networks are more useful than annoying and shares ways to deal with the “time-suck” networking can be, including using them sparingly. Another option is to set up an autopilot account that posts for you so it SEEMS like you’re active when you’re really soaking in a bubble bath with a glass of wine, sort of like having one of those lamps on a timer that turns off and on when you go on vacation so it LOOKS like you’re home.

If these measures aren’t enough to curb one’s overuse of social networks, the article recommends Tough Love: blocking, unfriending, unliking, clicking “hide” or “I don’t want to see this.” People driven to curb their use of networks shouldn’t quit altogether, they should step away from the network and let their profiles just BE, like a coffee table book that requires only occasional dusting. Why? Because employers, old friends, and stalkers expect to find you online—besides, doesn’t it get tedious explaining why you don’t use social networks?

But the reason I’ve invited you in today isn’t to talk about social networks, it’s to talk about the quote at the top of this column from a person who wants to walk away from the biggest social network of all: Facebook. How big is Facebook? According to The Washington Post, the number of people who use Facebook is the same as the number of people who live in China.
Yet the writer wants out. Why? First, the writer refers to him or her self as “an insecure child” when using Facebook. Second, the writer self-flagellates over posting “too many ridiculously unimportant, self-absorbed things,” Last, the writer says, “I do not like who I become on FB.”

If we replace “FB” with “smoking” in that first sentence, we’ve got something an addict might say. Are social networks addictive? Why, yes, according to researchers at Chicago University’s Booth Business School, who concluded that tweeting or checking emails might be harder to resist than cigarettes and alcohol. They say that sleep and sex may be stronger urges, but people are more likely to succumb to social media, although you can get the monkey off your back if you really want to.

Check out the second sentence. Who hasn’t felt that little warm fuzzy when somebody “likes” something you say on FB? But does depending on “likes” make you an “insecure child”? I know a person who took a FB break for that very reason: he thought nobody liked him in real life if he didn’t get enough “likes” on FB. He wisely realized THAT was messed up, so he took a break to screw his head back on. (Yes, he’s fine now. He sends his “Like.”) Conversely, it hurts when you’re misunderstood. I made a remark under a friend’s post that meant one thing to me but meant quite another to his troll friends, who savaged me over two days until, bruised and disgusted, I deleted my remark so the trolls wouldn’t sniff me out and start savaging me on my own page.

If people don’t “like” you often enough but don’t savage you either, is that good? No, because that might mean you’re boring. It might mean your friends have decided to ignore your single-minded obsession with Shrek. It might even mean people don’t read your posts but you don’t know it because you’re too self-absorbed to care. More than once, I’ve spent time composing a post and then thought, “Does anybody care about this but me?” and deleted the whole thing. Or I’ve read posts and thought, “I did not need to know that you are eating pastrami on rye right now, particularly since I’m 300 miles from decent pastrami myself.”

Of course we know not every one of our FB friends reads every one of our posts. That’s for addicts. We pick and choose what is of interest. In the lifehacker article, for example, one man said, “I stopped using Facebook years ago, when I hit the age that ‘friends’ (people I haven't spoken to in over a decade) started posting pictures of their kids. I don't like kids, and I really don't like *your* kids.”

Fair enough. On FB, I “hide” articles about abused animals or abused children or abused women because those articles make me want to find the abusers and give them a little hair of the dog, and I don’t like being somebody who wants to go all Old Testament on other humans, not even if they deserve it.

The last sentence I want to talk about, the one that grabbed me by the chin, was “I do not like who I become on FB.” That remark implies a whole ‘nother dimension, because I can’t quite wrap my head around the idea of being one person in real life and another person online. Maintaining a tissue of lies seems a colossal waste of time and energy. (No, I never falsified a dating profile. Which may explain a lot now that I think about it.)

True, I express myself more circumspectly online than I do in person, given how frightfully easy it is to misunderstand a message when the only medium of communication is black letters on a white background. In addition, the assumption about social media seems to be if you say something online, you’re OK with it being shared, reviled, bounced, truncated, and plagiarized. So I edit before and after I post. I try (and, sadly, often often fail) to be the Zen guy on top of the mountain if somebody ticks me off.   

But I don’t dislike who I am on FB, because she is me. If I tell the truth, if I talk about interesting things in an interesting way, if I respect readers' time--then I’m using social media like I use any other tool of communication to connect with people and to counter stupidity. I don’t wish to save myself from myself, nor am I qualified to save anybody else, but I can try to do good.






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Writing is the easy part

1/17/2015

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PictureAn early version of the cover for Jem, a Girl of London.
Self-examination can look to an outsider like navel-gazing. This post won’t do that. This post shares my travel from Point A (“I must write this story”) to Point Q (“you can buy Jem, a Girl of London on Amazon.”) This post may help you decide what to do next for your own book, because it shows the only way to get anywhere is to keep putting one foot in front of the other.

Our mutual baseline is that you not only like to tell stories but are compelled to do so. Two days ago, a fourth-grader said to me, “You write for FIVE HOURS A DAY?” To spare him the embarrassment of his fainting in front of his friends, I didn’t confess it’s sometimes more. Writers write.

So, writing first. The idea for Jem, a Girl of London came from a conversation with my students about George the Third of England and whether the Revolutionary War might never have happened if George had been more sympathetic toward the Colonies. That discussion was my Big Bang. Initially, I thought to tell the story of the Revolution from the point of view of George the Third’s mistress—but then I learned that George was so happily married to Charlotte that they had 15 children. There was no mistress. But there was gout, and there was madness, and there was a little physician’s helper named Jem in the royal bedchamber who didn’t say very much. But she wanted to. She wanted somebody to tell her story.

Next, I had to discipline myself. I decided to get up every day two hours before I had to get up for work (so, 4 a.m.) and write fresh from my dreams. Those two hours were my sacred writing time. No phone, no job, no nothing but me and my story. After my precious two hours were up, I started my day.

Was it a strain to lose two hours of sleep? No! I told a wannabe writer yesterday that doing something I loved was energizing. Grabbing for myself the gift of time made me feel happier about everything else in my life, because I wasn’t giving up every waking moment to other people. Those months of sleep deprivation were glorious. Diana Gabaldon once said she wrote the first book in her Outlander series just to see if she could write a whole book. She could. I could. You can. It takes time, but you have to make the time.

Third is process. I write longhand on yellow legal pads using a fountain pen. I like a pen because I don’t have to fumble for keys or correct spelling or edit—I can just let the story flow from my brain down my arm and out the end of my pen. Many people recommend doing research first, but I didn’t because I had a rough idea of what happened when. But when Jem, a Girl of London was done, I spent about six weeks looking up whether X Y Z actually could have happened. Did I revise at this point? Oh, yes. Once the story was historically correct, I word-processed it. I edited. I gave it to Beta readers. Edited some more.

At this point, I thought I had a book, so I began the query process. If you are not a writer, the query process is basically like interviewing for a job you really want: you know your skills are a perfect match, your resume kicks ass, you’ve got an interview suit that makes you look like a million bucks. You are SO going to get this job. With queries, you don’t get the job, and they don’t tell you why. (Why query? Most publishers won't consider unagented submissions. Agents are the keepers of the gate.)

Queries work like this: 1. Find out the names of literary agents who might like your book. A literary agent is a person who
represents writers to publishers and assists in the sale and deal negotiation of the same. You can find agents online and in books like Writer's Market (WM FAQs here). Research them. 2. Spend two hours tailoring each letter you send to each specific agent. 3. Comb your rejections for any clue as to why you were rejected.  4. Repeat.  Shoot for at least 20 queries a month. Tweak your submissions until you find a combination of query letter and sample page/synopsis that seems to be attracting nibbles. (Yes, it IS like fishing. You need the right bait.)

The query process brought me to Step #4, which happened after Ann Behar of Scovil Galen Ghosh Literary Agency said something helpful in her rejection: “My problem with this book is that it is in the voice of an adult--Jenna, as an adult. Although it is very well written and the story is engaging, the voice must be that of a young person in order for me to be able to take it on. Children's publishers will not buy a book with an adult voice, period.” Ms. Behar forced me to consider my book not only as a baby but as a baby I wanted to sell. I rewrote Jem to remove the adult perspective. I streamlined the plot and winnowed yet more chaff from the language. (Thank you, Ann Behar.)

Despite my winnowing, the book was now twice as long as genre guidelines recommend, so I split it in half. I rewrote the first half so it would be a complete story. Querying continued, but by this time I already had queried agents most likely to represent a YA historical fantasy, which meant I couldn’t query them again. (No means No means No.)

By this point, 16 months had gone by. I cynically had decided that when agents say “I just want a really good story” what they mean is “I just want a really good story that’s a whole lot like whatever is hot right now, because I know I can sell it.” At the time, dystopian fiction with female heroines was hot (The Hunger Games, Divergent). Jem, a Girl of London is historical fantasy, so it did not appeal to any agents who had to earn a living and who knew that if they made one false move they might lose whatever perch they’d clawed their way up to. I have to confess that while I didn't expect any agent to read my query letter and sample and think I was the find of her or his career, I hoped it would happen that way. It didn't. 

Leap of faith #5 was my deciding to self-publish using Amazon’s CreateSpace. Writers like Hugh Howey and John Locke went that route, but being a rebel was a huge step for an oldest child (me) who does the right thing at the right time in the right way and insists everybody else do the same. Agents advise against self-publishing. (They oughta know, right?) Still, I’d just spent 16 months hoping for a yes and getting only maybes and no thankses. I decided to be my own yes.

And that changed everything. I wanted Jem, a Girl of London to be the best it could be, and I knew if I self-published I wouldn't have a ready-made team at a publishing house to make it so. Based on recommendations by other authors on Goodreads, I hired an artist named Derek Murphy of
Creativindie to create a cover and design the book. I needed an editor, too, but who should I hire?
One editing consortium called Book Butchers offers three degrees of edits for fees that get higher the more you want done. The way Book Butchers works is that a writer uploads a sample of text. Editors read it and do a sample edit. You pick the editor you like. You make a partial payment. One editing consortium called Book Butchers offers three degrees of edits for fees that get higher the more you want done. The way Book Butchers works is that a writer uploads a sample of text. Editors read it and do a sample edit. You pick the editor you like. You make a partial payment. Editing ain't cheap. One editing consortium called Book Butchers charges $.02 to $.06/word depending on what you want done, which is pretty standard. Book Butchers asks writers to upload a sample of text. Their editors read it and do a sample edit. You pick the editor you like. You make a partial payment. Sample edits are a sterling way to find out what you can expect from an editor before you shell out hundreds of dollars. This post from Science Fiction and Fantasy Writers of America (SFWA) outlines what else to look for (and what to avoid). Don't miss the links at the end under "Professional Resources" and "General Information."
One editing consortium called Book Butchers offers three degrees of edits for fees that get higher the more you want done. The way Book Butchers works is that a writer uploads a sample of text. Editors read it and do a sample edit. You pick the editor you like. You make a partial payment.
Ultimately, I hired a freelance editor named Mary Ellen Foley, who, as the SFWA article recommends, did a free sample edit. I knew immediately she was The One. Her tone with me was cordial and collegial. She said, for example, “if you were to engage me to edit the book, I’d need instruction: are these suggestions useful because they provide options for you to consider, or are they intrusive fiddling?” How could I NOT hire a person who used the phrase “intrusive fiddling”?

Mary Ellen blue-penciled false notes, flat prose, emotionless characters. Her questions and quibbles were about things you can’t see until someone points them out, no matter how good a writer you think you are—a bit like standing next to a sequoia and saying “But where are those big trees that are supposed to be here? All I see is this wall covered with bark.” No matter how much you’ve written or how many college degrees you’ve earned, you need an editor. Mary Ellen's deft touch on my manuscript turned it into a novel. When I got back my document from Mary Ellen, it took four, 40-hour weeks to answer her questions and quibbles. When this sixth step was done, I told Mary Ellen, “When I think of how badly this could have gone without you, I feel like you saved me from walking the plank. No. I KNOW you did.” We have stayed in touch even though she is a Very Busy Person. Because in the back-and-forth of editing, she changed from a person I hired (and would hire again in a heartbeat) to a person I liked. 


Meanwhile, Derek was working on the design. He and I also went back and forth choosing a model, deciding on fonts and colors, settling upon an overall book design. I asked my Facebook followers which cover they liked and why. Derek was receptive to my ideas without stifling himself if he thought I needed to hear “NO, BAD IDEA.” (One thing I didn't know when I hired professionals is that everything takes longer than you think it should. Professionals are busy, and you aren't their only client. Plan accordingly.)

While editing and designing were going on (in England and Thailand--gotta love electronic communication!), I did other things that must be done by self-publishers (step #7). Others have written about the process of self-publishing (Christina Katz, author of Get Known Before the Book Deal, and Brandie A. Knight, author of Self-Publishing Like a Pro), to name two. One thing I had to do was to apply for a Library of Congress number, without which my book could not be purchased by libraries or schools. Find out how here.




Jem, a Girl of London went on sale January 9 on Amazon’s Kindle Direct. I ordered a proof of the print version, asked Derek to correct errors I found, and ordered a second proof that also had errors. The print version will be released by the end of the month.

My journey proves you need more than writing talent if you want to be published. You need humility. Tenacity. Patience.  We write because we have to, but we seek publication because we want to connect with other people. We seek community. A poet friend recently said something to me that all writers should paste over their desks: “Never confuse writing with publishing. The worst that could happen is all the no's you get stop you from doing something you love.”

So, don’t stop doing what you love, not for any reason. Just remember, writing is the easy part.

For further information on self-publishing check out "How to publish a book on Amazon" here.


UPDATE: As of 1/21/15, Jem, a Girl of London is available both in paperback and Kindle versions.


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And now for something completely different

1/3/2015

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About a week ago, I woke thinking about the New Testament story of the woman caught in adultery (John 8:1-11). I wondered what the woman thought about the whole thing.
                                                              Cast the First Stone


Keturah drank strong thistle tea to keep from conceiving, although part of her longed to be reckless and let Javan father a child on her. Certainly it wouldn’t be a sickly son like the one his skinny wife had borne, the only child she had allowed her splendid husband.  No, if Keturah and Javan had been allowed to marry , Keturah would have given him two or three fat, healthy children by now.

Keturah bathed and dressed in the linen tunic that had come all the way from Egypt, the one that had belonged to Hadassah, Keturah’s mother. It was white and soft and entirely inappropriate for a shepherd’s daughter, but it fired Javan’s passion every time he saw her in it. The fine fabric snagged on his hands when he pulled the garment over her head, but, for Keturah, painstakingly repairing each snag was a small price to pay for having Javan’s hands on her body. It was the only time Keturah felt truly alive.

She sprinkled her bath water on the floor to settle the dust. She placed a bowl of dates on the table. She cleaned her teeth with stick of siwak and darkened around her eyes with a bit of charcoal crushed into tallow from the lamp. She stained her lips with the wine she’d placed on the table. Keturah did not need to look at herself to know she would please Javan. She’d always pleased him, from the time they were two small children playing with stones until they grew into two very different beings, a pretty maiden with a merry laugh and tumbling chestnut hair and a young man with a form and a face out of a dream. Javan’s mother and Hadassah had begun talking of marriage between the two while Javan and Keturah were small.

But one black day when they were grown old enough to marry, Javan had come to Keturah with tears in his eyes to tell her he had contracted to marry Mara, daughter of a perfume maker.

“But—why?” Keturah said. The day before she’d stood at the edge of a cliff glorying in the vista of her future, but now she felt the edge crumbling to bits.

“It was not my doing,” Javan cried. “I told my father I did not want her, I wanted you. But my mother makes bread from borrowed flour. My brothers and sisters are hungry. And so my father hopes to strengthen my family’s position by joining our family to Mara’s.”

“But the bride price is fifty shekels,” Keturah said. “If you and your father cannot feed your family, where will you find that much money?”

“Father had ten and borrowed forty more.”

“So you are worse off than you were before you contracted to marry her!”

Javan took her hands. “No, Keturah. Mara’s father is taking me into his shop. I am to be his heir, with Mara. He is teaching me how to make perfume.”

“You, make perfume?” Keturah had noticed when Javan began wearing scent, but she’d thought he did it to please her, that it meant his family was prospering. Now she had a terrible suspicion. She forced herself to say out loud, “You already are working with Mara’s father, aren’t you.” Javan nodded, miserably. Keturah pulled her hands away. “You’ve already contracted to marry her. How long have you known?”

“We were betrothed just after Passover.”

Keturah’s jaw dropped.  Javan had been legally wed to Mara for half a year! “You said nothing! All this time, you let me believe you loved me.”

Javan hung his head. “I didn’t know how to tell you.”

Keturah pressed her heart against the knife of Javan’s betrayal. “Why are you telling me now?”

“Our chuppah is in two days.” Keturah gasped. At their chuppah, Javan and Mara would consummate their marriage, and Javan would belong to Mara. Forever. The thought of it made Keturah’s head spin. Her throat clamped shut as though she were being choked. 

Keturah had no words for her agony. Tears were too poor a thing to express her pain. All she could do was look at Javan, drink him in, fill herself with him so she would have him, always, even when he belonged to another woman.

Keturah took several breaths before she could force out her next words. They were hateful to say, but she raised her chin and said them anyway in a voice that shook, “She is a good woman. May you both be happy.” She stepped back. Now Javan would go, and Keturah could die in peace.

But, suddenly, Javan knelt at her feet and said, “No, Keturah. I can’t do it.” He wrapped his arms around her legs and pulled her close. “Oh, Keturah,” he breathed in her scent. “I thought I could come and tell you, and we would part and go on with our lives. But being near you, touching you, hearing your voice—I can’t go through with it. I can’t be with Mara. I will pay for a get. I will be a shepherd again, and take you instead.” He buried his face in her robe.

His hands warmed her buttocks, and his touch gave her strength to speak even though her knees felt weak. Keturah slid her hand into Javan’s hair. His curls curved around her fingers like the tails of monkeys. She said, softly, “Javan the money. The fifty shekels. Your brothers and sisters. Your mother and father.”

“I am a grown man,” his muffled voice rumbled along her belly. “They are my father’s concern.”

“You are a good son,” she said, “and you cannot abandon them. Not even for me.” She pushed back his head to look into his dear face. “And this is the chance of a lifetime, to live near the temple. To craft ointments. To make incense for the priests to burn. To sleep at night in a house in a bed, not on the hard ground beside a fire with sheep milling around you.  Javan, if you learn to make incense for the Temple, you could be respected in all Jerusalem and all your family with you. With me, you would be just another shepherd.” She lifted her hands, watching each curl slip from her fingers. She tugged Javan’s hands from her backside and gave them back.

Keturah called on her last bit of strength to force a cheery note into her voice as she walked to the door. She said, “Perhaps you will make so much money that you can take a second wife, like Jacob of old.” She opened the door, surprised to see the sun was still shining. “Go now, Javan, and get ready for your bride.” Javan, eyes burning, reached for Keturah, but she evaded him and turned her back so he couldn’t see her face. “Javan, please go.”

She heard him breathing behind her, then she heard him whisper, “Goodbye, Keturah.” When the door closed, Keturah wanted more than she wanted to take her next breath to open it again and pull Javan back inside. Instead, she waited until he knew he was gone, then collapsed to her knees and let the tears rush out in torrents. This was a nightmare. She would wake up.

But she did not awaken the next day, nor did she wake during the hours she knew Javan and Mara were consummating their marriage. Her nightmare went on and on, and Keturah was certain the grief would kill her.  

But it did not. Keturah went on living. She said “no” to every single man who expressed interest in marrying her, until her father became angry and her mother became ill with the stress of it. When Hadassah died eleven months after Javan and Mara became one flesh, Keturah’s father abruptly stopped pressing Keturah to marry, for now he needed a woman to keep his house.  Javan came to visit Seth and Keturah after Hadassah’s funeral, along with his wife and their baby son, but although Javan carried the babe, he stood apart from Mara. He did not touch her or look down at her. He did not reach out a hand to brush his fingers over his wife’s hair. He did not smile.  

When Javan and Mara bid farewell to Keturah and her father, Javan said, “May God comfort you among the other mourners of Zion and Jerusalem," traditional words, and his eyes were wells of anguish, but  the way Javan held her gaze, Keturah wondered if his anguish was entirely for her mother’s passing. Keturah discovered that a tiny spark of hope still lived in her heart.

Two days later, Javan came to their house when Keturah’s father was gone out with the sheep. Keturah stood quietly while Javan wandered from the hearth to the table to the window, picking up this bowl or that tool and setting them down again. Finally he turned to her, and she saw the tears in his eyes. “Keturah, forgive me for leaving you,” he said, “I am the loneliest man in the world.”

Keturah could no more ignore his anguish than she could ignore her own heartbeat. She went to Javan and enfolded him in her arms while he wept. When his storm of weeping was passed, and Keturah knew she should step back, she held on. She brushed away his tears with a hand that trembled. And when Javan’s mouth dropped to hers, Keturah felt the spark in her heart burst into flame.  Javan loved her still. No more words were said, no more words were needed when Javan led her to her pallet on the floor.  

Afterward, they lay dazed and delighted, and Javan said, “She is cold, Keturah, cold as stone. After Uri was born, she turned me away. ‘No more children,’ she said. I asked what I was to do for a wife, and she said her father had found release elsewhere, and I could do the same.”

Keturah’s eyes widened. What kind of woman would refuse her husband the comfort of their marriage bed, especially a man such as Javan? What kind of woman would invite her husband to seek out other women? A small voice in her mind mocked her: what kind of woman would break the commandment against adultery, as she had just done?

Yet, as Javan made regular visits and the lonely misery of the last two years began to melt in the joy they stole, Keturah worried less about right and wrong. She remembered, instead, the great injustice that had been perpetrated on them both. She clung to the thought that Javan had loved her first, that he loved her still. Soon, it began to seem to Keturah that Javan’s marriage was the greater wrong. And so, Keturah made herself ready on days she expected Javan. She drank her thistle tea. She donned her linen shift.  She accepted Javan’s small gifts and hid them from her father. She especially treasured an alabaster vial of perfume Javan said was of his own creation. He said he chose the scents in the blend because each one reminded him of Keturah. She wore the perfume every time Javan came but took care to wash it off so her father wouldn’t smell it and question her.

So great was their delight in one another that neither Keturah nor Javan stopped to think that someone had discovered their secret.

                                                                                  * * *

Along the streets leading to the Temple, scribes and dovekeepers and sellers of perfume conducted a brisk trade with the residents and visitors who had not paused for midday prayers. When his own prayers were completed, Elon the Pharisee walked to a shop where half a dozen scribes usually spent their days taking dictation, but where, today, only Mattan’s voice quietly echoed the words of his client while his reed scratched on parchment. Elon waited until Mattan saw him, and then waited a bit longer while Mattan finished with his customer. As soon as the man left, Mattan stood, stretched, and came to Elon.

“Where are the other scribes?” Elon asked.

“Not yet back from prayers.”

“And why did you not attend prayers?” Elon asked.

Matton sighed. It was ever thus with the Pharisees, even with his friend, Elon: no matter what circumstances a man found himself in, the Law must be obeyed to the letter. “Someone had to watch the shop,” Matton said. “It was my turn today. I can pray here, you know. I don’t have to go to the Temple. God is everywhere, is He not? And if He is everywhere, He can hear me no matter if I sit with all the others or sit in the middle of the desert, is it not so?”

“Do not speak lightly of prayer,” Elon said, “lest God punish you.”

“My friend,” Matton said, “I will not be drawn into another debate with you. Save that for your brother Pharisees, who seem to enjoy argument for its own sake. Now, tell me what brings you here.” 

“Jesus of Nazareth is at the Temple.”

Matton’s smile faded. “Again?” Matton was not especially bothered by Jesus or by any of the other rabbis who spoke on the Temple steps, but Elon and the other Pharisees harbored a fanatical hatred of the Nazarene.

“He must be stopped,” Elon said.

“What can be done?” Matton shrugged. “The people love him.”

Angry voices sounded outside the shop. Through the entry stormed another scribe, Hirah, and the perfume-maker, Jabez. “He brings shame to my house,” Jabez hissed.

“Do they want a divorce? Shall we have a scribe write out a get?” Hirah asked.

“And take her back into my own house? No! Besides, she told him to find someone else to enjoy!”

Hirah’s jaw dropped. “Your daughter told her husband to find a mistress? Is she mad?”

“She is selfish and thoughtless. My grandson’s birth was hard, and she fears another pregnancy. Let me ask you, Hirah: In a case where a wife turns away her husband from their marriage bed, whose fault is the divorce? What happens to the bride price if the marriage is dissolved on those grounds?”

Elon stepped in. “If I may?”

Jabez spun around and paled when he realized he’d been overheard. In contrast, Hirah’s anxious expression relaxed. Hirah said to Jabez, “This is Elon, a great master of the law. He can answer.”

“I would not trouble you with my petty problems, master,” Jabez said, his thoughts whirling. If he accused his son-in-law of adultery, Javan might be put to death—and what was the penalty for a wife who gave her husband permission to stray? Was she guilty of his adultery? Jabez said, carefully, “My son-in-law, Javan, whom I took into my shop and have taught my art, has—strayed—from his marriage vows.”

“At your daughter’s request, I hear?” Elon said.

Jabez stammered, “S-somewhat.”

Elon said, “It is a thorny question.”

“Adulterers must be punished!” Hirah said hotly. “I am sorry, Jabez, but it is the law. Elon, we must bring this matter before the priests. ”

“B-but adulterers are stoned,” Jabez said. “If Javan dies, Mara would be a widow. She would have no husband, no protector—she would live the rest of her days in my house. And what happens when I die? Who will provide for her and my grandson?”

“The harlot’s husband—what does he say?”

“She has no husband,” Jabez said.

Elon tut-tutted. He said, “Hirah, you know one of the accusers in a matter like adultery must be a spouse. But this woman has no spouse. The son-in-law’s wife—your daughter, Jabez—cannot bring a complaint against a man when it was she herself who urged him to sin. No, Hirah, we cannot bring this matter before the priests.”

“But, Elon, they sin,” Hirah whined. “We cannot ignore it.”

Elon smiled and said, “We won’t ignore it, but perhaps we can consult a rabbi other than a Temple priest. One who might provide guidance as we seek the best way to handle this matter.”

“Who?” Matton asked.

Instead of answering Matton, Elon said to Jabez, “lf I could find a solution that would end your shame without ending your son-in-law, what would you say to that?”

“I would bless you all the days of my life,” Jabez said, impulsively reaching out to clasp Elon’s hands.

Elon gently disengaged his hands, saying humbly, “I do not seek the blessings of men, only that God’s will be done.”

“What is your plan, Elon?” Matton asked.

 Elon said to Jabez, “When does your son-in-law customarily visit his harlot?”

“He is gone from the shop now,” Jabez said. “He combed his hair and left the shop stinking of myrrh an hour ago.”

“And where does the harlot live?”

“Not far from the Mount of Olives. Her father is a shepherd.”

“Not a powerful family, then,” Elon said. “Even better. Come with me, Jabez, and you as well, Hirah. We shall watch for Javan’s exit and take the harlot before Jesus of Nazareth, who even now speaks to a crowd from the Temple steps. If Jesus condemns the harlot, then all will see that he lies when he says love and compassion are above the Law. If Jesus forgives the harlot, then all will see his disdain for the Law. Either way, Jesus damns himself in the eyes of the sheep who hang on his every word.”

Matton said, “But, think, Elon: Jesus has outwitted many others who try to trap him. He has made them look like fools.” Matton laid a hand on Elon’s arm. “My friend, I would not wish to see you lose face.”

Elon shrugged off the hand. “First of all, Matton, I am disappointed that you think so little of my ability to outwit the witless.” Matton opened his mouth, but Elon raised his hand. “Secondly, Matton, this has nothing to do with me and everything to do with the Law. And, I might ask why you know so much about the ‘many wise men’ who had interactions with Jesus of Nazareth—if I didn’t know better, I might assume you, too, had been beguiled by Jesus’ lies.”

Matton’s face hardened. He said, “I listen when my customers tell me things. More than one has told me over business that this Jesus does things no mortal man should be able to do.” Matton seated himself at his table and picked up a knife to sharpen the point on his reed. “Go and do as you must, all three of you, but if Jesus truly is the Son of God, you tread on dangerous ground when you seek to discredit him.”

“Son of God?” Elon sneered. “He is the son of a carpenter! He is no more divine than I am! His every word is blasphemy. He needs to be stopped before he brings down God’s wrath on all of us for harboring a false prophet.” Elon swirled his robes around him and said to Jabez and Hirah, “Come, you two. We shall gather others who also detest the Father of Lies. We shall go to the home of the harlot and take her as soon as Javan departs.” He wrinkled his nose in distaste. “We shall take her to Jesus and ask him to judge. And then all shall fall out as it should.”

The three men dashed out like three wolves on the trail of a gazelle. Matton watched them go, then set down his knife and his pen. “Do as you will, Elon,” he murmured, “but beware lest judgment fall on your own head.”

                                                                                 * * *

Elon, Jabez, Hirah, and three other men hurried through the streets of Jerusalem toward the Mount of Olives. Elon could hardly contain his excitement. At last, at long last, he had the means to back Jesus into a corner. There would be no escape this time, and Elon would be a hero for showing the people that Jesus was an enemy of the Law and therefore posed a danger to their eternal souls. Elon imagined the praise, the accolades, the glory that would accrue to his name once Jesus was forced to reveal his true nature.

Elon held his head high as he walked toward the house of the shepherd, Seth, and his whoring daughter, Keturah, and the other five hurried after his flowing headdress. All six men garnered attention as they strode along. Stragglers began to trail after the six, sensing some drama about to unfold. A few houses down from their destination, Elon raised his hands for quiet. “People of Jerusalem,” he said, “mighty is our God.”

“Mighty in all things,” the people recited.

“Great and glorious are his ways,” Elon proclaimed.

“In all things, we praise Him,” the people chanted.

“Blessed are they who keep his commandments, and blessed are they who help their brothers to righteousness,” Elon said.

“Blessed are the keepers of the truth,” the people intoned.

Elon lowered his hands and said, “We go to take for judgment a shamed woman who denies the command of her God to keep herself pure.” Some of the people looked at one another. Two men in the back of the crowd turned to go. “You there!” Elon barked at them. “Do you not want to see God’s will fulfilled?” The two men turned back. They hung their heads. “Good,” Elon said, “I am glad to know the men of Jerusalem demand justice.”

“There,” whispered Jabez, “there is Javan.”

The crowd craned their necks and saw a handsome youth standing in the open doorway of a humble house, apparently taking his leave. A slender hand reached out and caressed Javan’s face. Javan turned his face to the palm and kissed it, then the hand clasped his neck, and Javan pulled into his arms Keturah, Seth’s daughter, whom many of them had known from birth. Elon watched their passionate kiss with joy in his heart because everyone who stood nearby had seen it.

“They sin in front of witnesses,” Hirah hissed in Elon’s ear, “we should take them both now.”

“No, for Mara’s sake, no!” Jabez said.

Elon put out a hand to stop Hirah. “There is no need, Hirah,” he said.

“But both are guilty,” Hirah insisted.

“Their guilt is not the issue,” Elon said. “This is about Jesus of Nazareth.”

“But the Law—” Hirah said.

“—will be served,” Elon snapped. At last, Javan pulled himself from Keturah’s arms and hurried away, and Keturah shut the door. Elon turned back to the crowd. The two men who had tried to leave were gone. No matter—Elon had enough witnesses without them.

“Now,” Elon said to Jabez, “we will take the harlot.” Elon led the crowd forward. He pounded on the door.

“Javan?” Keturah called joyfully and then opened the door. Her smile disappeared. She stared at Elon’s face, then recoiled when her eyes dropped to the tassels of twisted cords on his outer garment. She tried to shut the door, but Hirah stepped forward and held it open. Hirah said, “Keturah, daughter of Seth, we accuse you of adultery in front of these witnesses. This man”—he indicated Jabez—“will bear witness that you have tempted his son-in-law to sin.”

“No, no,” Keturah cried, and ran into her house. Elon nodded at two of his men, and they dragged her out, one on each arm. Her linen shift was rumpled but so sheer that every person in the crowd could clearly see her shape through the thin fabric.

“She needs a robe,” a woman said.

“Leave her as she is,” Elon said. “It proves her wantonness.”

Keturah said, “I am no wanton.”

Hirah said, “Woman, we saw you in the arms of a man who is not your husband. What say you to that?”

Keturah said nothing.

Elon continued, “We all saw him kiss you. Jabez, was the man who kissed this woman your son-in-law?” Jabez nodded. “And is this woman your daughter?” Jabez shook his head. Elon turned back to Keturah. “Well?”

Keturah swallowed. She said, “Sir, let me tell you a story: Once there was a young man of great beauty who loved a shepherd’s daughter. He couldn’t ask for her hand until he had scraped together her bride price. He knew he would work many long years before he could ask for her hand, but he was willing to wait, for his love was as deep as the ocean.” She looked at Jabez, and her voice hardened. “Then, one day, an older man promised the beautiful young man wealth and position if he married the older man’s daughter instead of the shepherd girl. For the sake of his starving family, the beautiful young man accepted the offer, but he cried bitterly for the loss of his true love.”

“It was his choice!” Jabez stormed.

Keturah kept talking. “But the young man’s new wife was not pleased with the bargain her father had made for her, and once they were wed, she told her new husband to seek his pleasure in another woman’s bed, for she wanted nothing to do with him.”

“Be quiet!” Jabez said.

“And so,” Keturah’s voice carried to the very edge of the crowd, “the young man went back and wept out his pain in the arms of the shepherd’s daughter, she who had loved him from the start. And although neither the man nor the maid nor the wife was happy with the situation, all three were glad to have crumbs instead of nothing at all.”

“This tale is not fit for the ears of decent people,” Elon said. “It is further proof of the state of your soul. Bring her.”

In triumph, Elon led the harlot and the crowd back toward the Temple. More than one man they passed watched the parade and especially the star attraction, the scantily clad beautiful girl with chestnut hair flowing down her back, tears in her eyes, and a stubborn tilt to her chin.

When Elon saw a crowd larger than his own at the Temple steps listening to the preaching of Jesus, he felt his heart twist into an even harder knot. Then he calmed himself:  all of them would turn their backs on Jesus soon enough. The day of reckoning had come. With great difficulty, Elon kept himself from grinning. At long last, Jesus would be crushed. Elon took a breath to order Jesus’ listeners to move.

But before Elon could say a word, Jesus waved his hand gently over the heads of his listeners. Like the Red Sea of old, they parted, making a path for Elon and his followers. The two who gripped Keturah’s arms dragged her forward and dropped her into the dust at Jesus’ feet. Jesus looked up from the woman into Elon’s face.

Never before had Elon been so close to his enemy. He had listened to the rumors and fed his resentment until it was a living, clawing thing in his heart. Now, Elon faced the beast himself, but the eyes Elon stared into were not full of guile or guilt. Not brimming with false compassion. The eyes of Jesus were piercing, like a sword to the heart. For the first time in many, many years, Elon’s self-confidence wavered.

“What is the trouble?” Jesus asked.

Elon planted his feet and said, “This woman was taken in adultery. The Law of Moses says to stone her. What do you say?”

Jesus looked at Keturah, then he looked into the eyes of Elon, Hirah, Jabez, and at some others in the crowd.

Then Jesus stooped down and wrote in the dust with his finger.

This was not what Elon had expected. He frowned at Hirah and Jabez. Then he said, loud enough to be heard to the limits of the plaza, “Well? Judge, rabbi. Shall this adulteress be stoned?”

Hirah said in Elon’s ear, “What is he doing? He won’t give an answer!” Hirah shoved forward to read what Jesus had written. When he saw the lines in the dust, Hirah stumbled back. He muttered, “This was a mistake,” and he pushed through the crowd, away from Elon! The people began to mutter.

“Where is he going?” Jabez asked.

Elon covered his own confusion by saying loudly, “I suspect Hirah has gone to notify the priests that Jesus is about to make a judgment.” Elon raised his hand to quiet the crowd and demanded of Jesus, “Well, rabbi? What is your answer?”

Jesus wrote again in the dust. Elon’s hands twitched. He wanted to take Jesus by the throat and shake an answer out of him. But that would be unseemly. Elon said, “It seems the rabbi has run out of words. Perhaps we can make sense of what he scrawls in the dirt.” Some people near him laughed, but many of those who had been listening to Jesus stood quietly, expectantly, awaiting whatever came next. They were sheep who deserved to be crushed along with Jesus, Elon thought, but he said, “I shall attempt to read for one and all whatever Jesus of Nazareth has written in the dirt, no doubt his best judgment on the serious matter of adultery, which our Law says must be punished with death.”

Jesus stood and said, “Let he who is without guilt cast the first stone.”

Elon’s heart stuttered. What did Jesus mean by that? Whose guilt was he referring to? A small voice in Elon’s head buzzed a warning, but he couldn’t stop now. Everyone was watching. He had to see this through to the end. Elon stepped over the whore, shaking dust from his sandal to her shift. Everyone who had followed Elon held their breath. Those who had been listening to Jesus waited.

Elon stood over the word Jesus had written, and he gasped when he saw the letters writhing in the dirt like snakes, the letters of a name: Sarai! Sarai, Elon’s mistress for the last ten years. Now Elon knew who Jesus meant when he asked about guilt: he was talking about Elon himself.

Elon paled. The lion’s heart in him shrank to a nugget of nothing. Nobody in all Jerusalem knew about Sarai.

Jesus knew. Those sharp eyes pierced Elon’s very soul and held him struggling and helpless. Jabez hissed, “Elon, what is wrong with you? Carry on. The people are waiting and listening.”

Elon heard as through many layers the muffled words of one of his followers, “What does it say, Elon?”

Another asked, “What is written there?”

From the back, Elon heard someone call, “Master, what is it?”

Elon’s eyes burned. His ears were stopped up. His throat clamped shut. Elon feared that if he spoke Sarai’s name aloud, saying that one word would burst his throat. If he read out something else, others would step forward to corroborate the judgment and see that Elon had lied, and he would be ruined. Elon brought his foot down on Sarai’s name. He looked up into the eyes of Jesus and saw his own face reflected there with flames consuming his beard and shooting out of his mouth.

Horror and fear swamped Elon’s soul, and he ran through the crowd after Hirah.

Jesus looked at Keturah’s other accusers, especially at the three scribes who had come along to support Elon and Hirah. All quailed before that gaze. The crowd that had followed the Pharisees expecting a show began to dissipate. They melted away, and the path that had opened to let in Keturah and her accusers closed up again.

Jesus stood. He held out a hand to Keturah and helped her to her feet. The moment Keturah touched the rabbi’s hand, she felt as though she touched a waterfall that channeled along her arm and through her body. She felt clear-headed and clean.

“Who accuses you?” Jesus said.

She looked into the rabbi’s face, which seemed at that moment even more beautiful than Javan’s. “No one, Lord,” she said.

“Neither do I accuse you. Go and sin no more.”

Keturah bowed her head. “Master, I obey,” she said, and the followers of Jesus parted once again to let her pass. A woman draped her outer robe over Keturah’s shoulders . Keturah turned for one last look at Jesus. The  crowd had merged again. Before he began speaking again, Jesus looked up once more at Keturah. She heard his voice in her mind: Go and sin no more.

When Keturah got home, she thanked the woman and sent her on her way. Keturah poured water into a basin. She washed every inch of her body. She washed her hair and put on a fresh robe. Then she took her fine linen shift and wrapped it around the alabaster vial of perfume Javan had given to her. Keturah placed a coal from the fire on a pottery shard and carried her bundle and the coal to an open place at the foot of the Mount of Olives. She lit a fire.

Keturah prayed as she burned the shift and the perfume. The smoke from her offering rose thick and sweet and pleasing to the Father, for it was the smoke of true repentance.




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The Land of Ice and Snow

11/30/2014

1 Comment

 
When I say I felt out of place on my first visit to Long Beach, California, it’s not a complaint. It was pretty great to sit outside in November wearing just a light sweater over my jammies while I had my morning coffee. It was a miracle to see palm trees and jasmine (below) growing right out of the ground because of the constant warmth and sunshine—a climate that allows Bird of Paradise, which sells here for $7 a stem, to grow like a weed that people cuss and yank and compost.
It’s warm all the time in California, and people respond to it. When a daytime temperature of 68 degrees is considered chilly, that tells you something about the way folks interact with nature. Californians seem to be universally pleasant and unrushed and unrattled. A Californian never has to worry that stepping outside to grab his newspaper can kill him.

It’s different in cold country. Here, if a man dashes out without a coat to grab the paper and it’s 20 degrees below zero, he can slip on ice, hit his head, and suffer frostbite or worse in a matter of minutes. In cold country, 90 percent of men, given their druthers, would choose a pickup with a plow over a sports car with a windfoil.* People in cold country buy their kids snowpants over swimsuits because you can always swim in cutoffs but you can’t go out for recess if you don’t wear snowpants and mittens.

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In winter, women in these parts don’t worry about bad hair days. We don’t wear high heels or skinny jeans. We retire our skanky clothes in late fall and haul out survival gear: fur hats and felt boots and sweatpants. Although, truth be told, some of us never even bother switching out winter for summer clothes because it seems a waste of time to box up stuff you’re going to need in about ten minutes anyway.

We know winter so deep in our bones that some of us don’t understand how warmer cities can shut down over an inch of snow. When that happens, some of us say, “Are you kiddin’ me?” because an inch, to us, is the work of five minutes to brush off the car, not a reason to hole up in a motel for the night. If it’s more than an inch, though, the law requires us to clear snow from our sidewalks within 24 hours. Some obey the law right away and some obey in their own sweet time, but the sweet-timers shoot themselves in the foot because even one person walking on new snow packs it down into footprint-sized pads of ice. Most of us obey the law in self-defense.

We who live in cold country don’t use a lot of words. When a blizzard is forecast and we go to the store to stock up on milk and bread and canned soup, one man will say to another, “It’s coming,” and the stranger he’s just spoken to says, “Yup,” and their words bond them in a classic conflict: Man against Nature. After the storm, we don’t get cocky about punching through to the other side. We yell across the street to the neighbor who’s out shoveling too, “Coulda been worse,” because even though we got eighteen inches of new snow, it HAS been worse. It will be worse again.

It sounds like I’m complaining, but the truth is, I wouldn’t live anywhere else. Cold country inspires. A fresh dusting of white, white snow limning a black tree branch is a poem. A dozen wild turkeys scratching for a meal in the drifts and squabbling over a tidbit is a comedy routine. One neighbor snow-blowing another’s driveway (“might as well, since I got my machine out anyway”) is kindness made flesh. Walking the dog in the silver-pink light of early morning while fat flakes whisper down is quiet magic every time it happens.

I could tell how entertaining it is to live in four different seasons. I could talk about spring when crocuses peek up through the snow and blossoms flutter along branches and maple buds burst and baby leaves whisper, “Now? Now?” I could talk about summer when fields of corn wave like an inland sea and the crash of thunderstorms reminds everybody that nature is the boss around here. I could talk about fall when the glory of red and yellow leaves in the woods is a pagan fire giving notice to winter that all of us, trees and people, are in it for the long haul. But for me, winter defines this place. Sometimes we declare to one another during a long spell of sub-zero days that we’re going to leave this ice box. Our parents said the same thing, and so did their parents, all the way back to our ancestors, many of whom came here in the nineteenth century from equally cold countries like Norway and Germany. Yeah, we talk big.

But we don’t go anywhere. Cold is our comfort. In July when it’s 90 degrees with 70 percent humidity, we post pictures of snow on Facebook to prevent ourselves from complaining about the heat, saying things like, “It’s coming,” “it” being the season we spend most of our lives enduring, enjoying, bonding over. “It” came early this year, and I hunkered down into it, glad to be home.


*Totally made-up statistic based on observation of vehicles in my neighborhood.


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    Delaney Green writes short stories and historical fiction. She blogs from her home in the American Midwest.

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