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Recommended debut novel: Storytellers by Bjorn Larssen

7/1/2019

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PictureNorthern lights photo by Hallgrimur P. Helgason. For more on cover design (by the author) visit
​​​Bjorn Larssen’s debut novel, Storytellers, captures the sights, sounds, and smells of early 20th century small-town Iceland and weaves a mystery that shows the complex, contradictory motivations in the human heart. Larssen’s tale shifts effortlessly from 1920’s Iceland (“Now”) to a romantic saga from a generation earlier (“Then”), told by a stranger to the book’s protagonist, Gunnar Karlsson.

Gunnar, a reclusive alcoholic blacksmith, reluctantly offers shelter to the stranger, Sigurd, who has injured his ankle on his way to a destination he refuses to divulge. In return for Gunnar’s spartan hospitality and his promise not to tell anybody Sigurd is there, Gunnar’s visitor tells a several-nights'–running story about an Icelander who emigrates to America, snatches up an American bride, and brings her back to Iceland. Gunnar’s promise to keep Sigurd a secret becomes increasingly difficult as women from the nearby village descend on Gunnar, determined to change him from a bachelor and a heathen into an upstanding (marriageable) citizen. Every time somebody drops in, Sigurd hides…but why?

Larssen’s clean, clear descriptions pull Iceland’s climate close as a damp blanket. When Juana, the American bride, arrives at her sweetheart’s village she notes, “The lack of trees was disconcerting. Surely there must be a forest somewhere nearby, she thought, as she climbed to the top of the mossy hill to better see her surroundings. Even the hill itself was strange. The soil was brick-red, then yellow, even pink. The few purple flowers that sprang up between the rocks were new to her…Both the ocean and the sky spread endlessly in front of her. To her left, the weather was clearing, and the water reflected the blue sky; to her right, clouds were gathering and the ocean looked cold and unfriendly…there was no church, no fields, not even fences!...The frosty wind whipped her mercilessly, and she had to hold on to her dress. Was this really it?” When Juana sees the Northern Lights, however, she gains an appreciation for her new home: “…her mouth opened in shock. Something that resembled green fire danced in the sky. The colors moved faster, then slower. They disappeared, then reappeared, regrouping stronger, covering the stars…. ‘Is this magic?’ she whispered. ‘Is it mountains changing shape? Is the sky burning?’….It was at that moment that the realization struck her, raising goosebumps on her skin: she had been living her adventure without even noticing. She was surrounded by magic, a prize more valuable than any jewel, more astounding than any story she had read before.”

Storytellers has a nice balance of description and conversation along with deft touches that delineate character as clearly as a die-cut stamp. Detail and humor give the story sparkle, while the machinations of the village women give the reader an urge to rescue Gunnar.

Also gripping is Larssen’s personification of depression, “the darkness” that plagues Gunnar and partly explains his need to self-medicate with moonshine. “Gunnar stared at the boiling pot, trying to gather enough strength to finish Sigurd’s meal. Sometimes splitting impossible tasks into smaller ones helped. Stand up. Pull the pot off the fire. Burn your fingers. Swear. Drain the potatoes. Mash them…no, too much, too fast. Reach for the masher. Move it up and down. Make a plate. Walk towards the room…Listen to the clock mercilessly bringing his death closer with each tick and tock.” Later: “He had no feelings, no hope, no choice. The darkness stood next to Gunnar, with her hand extended. He knew this would be their final encounter, the one that would never end. It felt as if the darkness was another person next to him, and he slowly turned his head to see…But there was nothing out of the ordinary. Perhaps the air was even more stale, the sky and grass greyer. He looked at Hallgrimur’s sheep without much interest. Little dots in the distance, some of them white, some brown. Unimportant and inconsequential. Like you, the darkness remarked.”

Two things detract a smidge from this page-turner; the first is an elf that appears for no apparent reason and could be dismissed as an hallucination—except Gunnar’s dog sees it too. But then the elf disappears without a why or a wherefore (more on him later). The other minor distraction is occasional 21st century diction bubbling up (“gross her out,” “too weird,” “blown away,” “do their thing”).

Nevertheless, this delightful pressure cooker offers its small-town characters an assortment of escapes: adultery, attempted murder, plots, witches, arson, blackmail, and fratricide.

In addition, Larssen crafts dead-on observations of human nature. When Gunnar briefly escapes small-town intrigue for a day of shopping in the big city, he notes, “Perhaps Reykjavik wasn’t so bad after all? It felt good to be a stranger, surrounded by other strangers, none of whom inquired about his religious views, tried to marry him, or asked questions about his money.” Another character pre-plans every detail of every encounter to ensure he will make the right impression: “…he would show up unannounced, blinking in the spring’s sunshine, overwhelmed by the beauty of everything. His hand would go up to cover his mouth at the sight of the church and dwelling, even if it was nothing but a painted shed. His passion and modesty would be noticed and praised….”

And there is a generous sprinkling of humor. Gunnar remarks at one point, “I just don’t like time. It’s bad for you.” And, later, “At least right now it was neither raining nor snowing outside, which Gunnar could tell by the fact that it wasn’t raining or snowing inside either.”

Author Bjorn Larssen was born in Poland, lives in the Netherlands, and is stone-cold in love with Iceland. He has a MS in Mathematics, has worked as a graphic designer and a blacksmith, and claims to have met an elf (which may explain why an elf appears in this book: perhaps Larssen owed him a boon?).

Larssen’s Storytellers takes you to an island in the North Atlantic a hundred years ago and sets you down in a village that may be surprisingly similar to your own home town. Recommended.


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You matter. Never forget it.

9/7/2017

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A local venue in my town holds a once-a-month adult storytelling event in its art gallery/meeting space. Each storytelling session asks grownups to tell stories on a theme: October’s theme will be Halloween/scary stories; I suppose  November’s will be stories on a theme of Being Thankful (or maybe overeating); December is likely to feature holiday stories (although that could be overeating too).

September being the month when kindergarten through college students go back to school, last night’s theme was “school/learning/teachers.” Four featured storytellers performed.  At an open mic session after they spoke, attendees were invited to tell their own stories. As a former  teacher, I had a lot of stories, but my ingrained inclination is to let the “kids” go first, so by the time five impromptu storytellers spoke, the evening was over. I did not tell my story last night, but it’s on my mind, so here goes:

As far back as I can remember, I wanted to be a teacher. When my cousins and siblings played “school,” I stood at the front of the class and gave them assignments. I portrayed a teacher in a high school play. As a high school senior, I worked as a teacher’s assistant in the junior high. The teacher turned over her class of seventh-graders to me to teach for eight weeks. It seems astonishing now that a teen-ager would have been given that much autonomy, yet Laura Ingalls Wilder taught in a one-room schoolhouse from age 15 to age 17,  so it’s not like the right person can’t teach, regardless of his or her age. I taught Greek mythology to my class of seventh-graders, and they loved it. They loved me. My mentor said, “You are a born teacher.”

But I saw how my mom, a history teacher, barely got her shoes toed off every day after school before collapsing on the couch for an hour-long nap before she made supper. She graded papers late into the evening after we went to bed. I did not want to live perpetually exhausted and a slave to my job.

So when I graduated from college, I did not graduate as a certified teacher. I headed off to New York City with a hundred dollars in my wallet and a fuzzy plan to make a big splash doing something in journalism or publishing, or maybe acting. I lived in the East Village. I went to museums. Auditioned. Wrote. Made friends. Spent my first Christmases away from home.

And yet, even though I loved living there, I skated on the surface of New York life because, deep in my heart, I knew this magnificent city was not where I was supposed to be. When I looked out my bedroom window at brick and mortar rather than at trees and grass, I knew I belonged in a greener place. I knew I needed to set down roots where my roots could grow. But I didn’t know where that might be.  

One day, I flew down the steps of my apartment building on Fourteenth Street on my way to work, but when I got to the front door, a drunk was passed out across the threshold. I knocked on the inside of the door. I pounded. I yelled. He didn’t move.

I clicked the latch open and shoved. Finally, the drunk moved enough so my messenger bag and I could slip out. I strode toward the subway, late for work—and then I stopped, thinking, How can you leave a human being passed out and helpless? I ran back.

The man was still passed out. His clothes were filthy. His white hair was a mess. He stank. He had one of those noses severe alcoholics acquire over time, spongy and red and huge—think W.C Fields. I said, “Excuse me—can I get you some help? Do you want me to call somebody? Where do you live? Hello?”

He opened the bluest eyes I’ve ever seen, the same shade as the blue morpho butterfly but even more intense. He moved lips like two purple slugs. Drool spilled down his chin. He opened his mouth and said, “Brrbcckkkkgg.”

Loud and slow, I said,“ Do you want me to call an ambulance? The police?”

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Comprehension glimmered in those astonishing eyes. He said, “Gbblllsshzh. Bzzuh.”

He was so drunk he couldn’t talk. When he laid back down, I shrugged and went to work.

But I couldn’t stop thinking about him, and my thoughts ultimately jelled around one idea: Blue Eyes had once been somebody’s baby. He’d been somebody’s little boy. He’d sat in somebody’s classroom. Hadn’t anybody cared about him? Hadn’t anybody made him feel he deserved better than ending up passed out in a doorway? Hadn’t anybody made him feel like he mattered?

And how many other blue- or green- or brown-eyed children in the world didn’t feel like they mattered? Could I help any of them? How?

People toss around the word “epiphany,” but as sure and bright as the sun coming from behind a cloud, I knew what I could do for these somewhere, someday kids I hadn't met yet: I could be their teacher.

I returned to the Midwest to earn a certificate to teach and got a job as an English teacher. Like my mom, I worked after-hours at my kitchen table: I filled big boxes with papers and dragged them home in a Radio Flyer, working literally one year at home for every five I spent in the classroom (yes, I did the math). And yet, despite all those years with students, I wasn’t certain I’d made the difference I’d hoped to make when I started.

That changed one day when I ran into a former student in the grocery store, a girl I’d had in class at the beginning of my career. When “Tiffany” saw me, she gave me a big hug. We chatted: she was the mother of two young adults; she liked her job; she and her husband got along. Then she said, “You know, I wouldn’t be here if it wasn’t for you.”

“At the grocery store?” I joked.

“No. When I took your stagecraft class, I wanted to kill myself.”

I sobered. “Wh-what?”

“I was planning to check out my freshman year,” she said.

A thick silence dropped around us.  The other shoppers faded. She continued, “I’d had it with everything. I didn’t want to be here any more. And then I walked into your class. You gave me jobs that I had no idea how to do and expected me to try them. If I screwed up, you helped me. You praised me. You made me feel like I could do stuff. Like I belonged.”

I said, “You did belong. You were my kid.”

“I know. Everybody was your kid. But the thing is, I didn’t want to check out after I met you. When you showed me I mattered to you, I started to matter to myself.”

My throat was so tight, I couldn’t talk. So I hugged her. As I drove home, I thought, Even if Tiffany is the only one, it was all worth it.

Educator and anthropologist Loren Eiseley (about whom pal Ray Bradbury said, "[His] work changed my life") tells the story of a kid who tosses beached starfish back into the ocean. The story has gone round and round educational circles to a point that it’s become something of an eye-roller. Stop me if you've heard this one:

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Bottom line: teachers, you make a difference, even if you don’t see it, even if you’re exhausted and overworked and underpaid and never run into one of your grown-up former students in a grocery store.

You matter. Never forget it.

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    Author

    Delaney Green writes short stories and historical fiction. She blogs from her home in the American Midwest.

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